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Television Centre in the 70s. |
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In TC4, Softly Softly. Actors are Norman Bowler and Stratford Johns - and the cameramen? |
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More Softly |
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The gallery - only two of the monitors are colour, because they cost so much. This type of monitor was also used on
the floor on trolleys, and a happy time could be spend on a spare day having "line up" races, with all the complex controls
in the tray below the screen which were needed to get a good picture. The vision mixer was the
BBC designed "every channel has a fader" type, from before they started to buy Grass Valley etc. |
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Sound - grams on the left, and the original sound desk on the right. Sound didn't get a
colour monitor, as a boom in shot was a black blob anyway! |
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Lighting - they got more colour monitors than everyone else put together! |
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A different studio, and good shot of a Mole crane |
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Geoff did a tour of the building, and here's VT. We think the operator is Howard Dell, though Howard hasn't
confirmed this. A very distinctive sound should accompany this pic, and I'm hoping to get a sample |
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Telecine. I think this is one of the ones which would go at any speed - good for slomos
before such things were common, always provided the material was on film of course./td>
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Pres A, home of the weather and endless trails. Jack Scott and an unknown lady. |
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Magnetic rubber for the isobars and symbols - how far could you throw
a symbol across the studio and make it stick to the metal charts? |
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The Generation Game in it's heyday - Brucie and Anthea |
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Spot the silhoutte |
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From the swingers postion on the Mole - the metal frame in the foreground was there to stop the cameraman's head
being removed by the dress circle on a fast high and over-enthusiastic track back |
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Typical sitcom set, in this case Keeping Up Appearances |
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And again |
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Run the Risk |
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mmm - get you! |
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