A Geoff Hawkes page


Geoff has loaned me a large pile of 35mm slides taken in the early '70s. Though I'm quite proud of this site, some of the actual building work is very dull - resizing pictures etc. This is doubly slow in the case of slides, as the scanner takes an age to process each one. I think its well worth it though to see some of these views again, sneaked by Geoff

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  Television Centre in the 70s.   In TC4, Softly Softly.
Actors are Norman Bowler and Stratford Johns
- and the cameramen?
 

   
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  More Softly    
 

   
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  The gallery - only two of the monitors are colour, because they cost so much.
This type of monitor was also used on the floor on trolleys, and a happy time could be spend on a spare day having "line up" races, with all the complex controls in the tray below the screen which were needed to get a good picture.
The vision mixer was the BBC designed "every channel has a fader" type, from before they started to buy Grass Valley etc.
  Sound - grams on the left, and the original sound desk on the right.
Sound didn't get a colour monitor, as a boom in shot was a black blob anyway!
 

   
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  Lighting - they got more colour monitors than everyone else put together!   A different studio, and good shot of a Mole crane
 

   
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  Geoff did a tour of the building, and here's VT. We think the operator is Howard Dell, though Howard hasn't confirmed this. A very distinctive sound should accompany this pic, and I'm hoping to get a sample   Telecine. I think this is one of the ones which would go at any speed - good for slomos before such things were common, always provided the material was on film of course./td>
 

   
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  Pres A, home of the weather and endless trails. Jack Scott and an unknown lady.   Magnetic rubber for the isobars and symbols - how far could you throw a symbol across the studio and make it stick to the metal charts?
 

   
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  The Generation Game in it's heyday - Brucie and Anthea   Spot the silhoutte
 

   
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  From the swingers postion on the Mole - the metal frame in the foreground was there to stop the cameraman's head being removed by the dress circle on a fast high and over-enthusiastic track back   Typical sitcom set, in this case Keeping Up Appearances
 

   
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  And again   Run the Risk
 

   
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  mmm - get you!