{"id":4945,"date":"2015-12-03T19:17:47","date_gmt":"2015-12-03T19:17:47","guid":{"rendered":"http:\/\/tech-ops.co.uk\/next\/?page_id=4945"},"modified":"2015-12-03T19:23:16","modified_gmt":"2015-12-03T19:23:16","slug":"more-about-mic-booms","status":"publish","type":"page","link":"http:\/\/tech-ops.co.uk\/next\/more-about-mic-booms\/","title":{"rendered":"More about Mic Booms"},"content":{"rendered":"<h3><strong>Roger Long<\/strong><\/h3>\n<p>We had Moles at TFS but we also had a mobile Fisher which was a delight compared to the antediluvian Mole and pram. &nbsp;I drove Nigel P Woodford( who later owned Richmond Film Services) down to Snape for Tony Palmers\u2019 Festival of Britten, especially &nbsp;\u201cBilly Budd\u201d, the opera, but many other great musical events.<\/p>\n<p>On one occasion Ben Britten returned from the station with Sviatoslav Richter, they both sat at their Steinway Ds and prepared to play unrehearsed to Tony\u2019s instructions and 3 film cameras. Ben stood and closed his lid, so did Richter: we had rigged C28s on elegant goose neck stands inside the pianos, they were now beheaded. &nbsp;Nigel and I rushed the Fisher in, it saved the day, not sure Tony noticed: he could be very prickly, he was Ken Russell\u2019s ex assistant.<\/p>\n<p>Nigel started RFS from one fire damaged Nagra IV bought off a insurance loss adjuster he met on a film location. &nbsp;They are still the premiere Nagra hirers and possess a phenomenal Mic Cupboard.<\/p>\n<h3><strong>Pat Heigham<\/strong><\/h3>\n<p>It made sense on a platform boom to keep the arm low, compared with the operator&#8217;s body, as usually the arm was balanced slightly front heavy, so one was pushing down rather than pulling up, also the arm was swung using body mass at hip height.<\/p>\n<p>Film studio booms did not have tilt for the microphone, which I found immensely irritating, since one couldn&#8217;t flatten off over an artistes head if there was a lot of head turning.<\/p>\n<p>I came across a lot of antipathy, when my film crew colleagues discovered I came from &#8216;television&#8217; (dirty word) as they thought that TV was doing films out of business. Possibly a little true for a time, but TV is such a hungry medium, that soon there were myriad series, shot on 35mm! &nbsp;Just look up ITC (production company) on IMDb.<\/p>\n<p>Cue&#8230;A cheerful Director I worked with, with a sense of humour, always said he wanted a scene with a character named Cumber, so he could call: &quot;Cut, and cue-cumber!&quot; I guess he might have his wish if directing our Benedict!<\/p>\n<h3><strong>John Hays<\/strong><\/h3>\n<p>It&#8217;s interesting to note Pat\u2019s remarks about film boom ops having the platform low and the boom above shoulder height. In my AP days, late 1950s, we used to do a Sunday afternoon magazine programme from the rarely used studio A, and that had a similar boom, the platform was inches off the ground on castors and you stretched up to operate it &#8212; a right sod to work. Perhaps this was a relic from prewar days. <\/p>\n<p><i>see also<\/i>:<br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/tech-ops.co.uk\/next\/mic-booms\/\">Mic Booms<\/a><br \/>\n&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<a href=\"http:\/\/tech-ops.co.uk\/next\/mic-boom-experiences\/\">Mic Boom Experiences<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Roger Long We had Moles at TFS but we also had a mobile Fisher which was a delight compared to the antediluvian Mole and pram. &nbsp;I drove Nigel P Woodford( who later owned Richmond Film Services) down to Snape for &hellip; <a href=\"http:\/\/tech-ops.co.uk\/next\/more-about-mic-booms\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-4945","page","type-page","status-publish","hentry"],"coauthors":[],"author_meta":{"author_link":"http:\/\/tech-ops.co.uk\/next\/author\/alec\/","display_name":"Alec Bray"},"relative_dates":{"created":"Posted 11 years ago","modified":"Updated 11 years ago"},"absolute_dates":{"created":"Posted on December 3, 2015","modified":"Updated on December 3, 2015"},"absolute_dates_time":{"created":"Posted on December 3, 2015 7:17 pm","modified":"Updated on December 3, 2015 7:23 pm"},"featured_img_caption":"","featured_img":false,"series_order":"","_links":{"self":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/4945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/comments?post=4945"}],"version-history":[{"count":3,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/4945\/revisions"}],"predecessor-version":[{"id":4949,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/4945\/revisions\/4949"}],"wp:attachment":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/media?parent=4945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/categories?post=4945"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/tags?post=4945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}