{"id":20219,"date":"2025-12-06T17:01:51","date_gmt":"2025-12-06T17:01:51","guid":{"rendered":"http:\/\/tech-ops.co.uk\/next\/?page_id=20219"},"modified":"2025-12-06T17:01:52","modified_gmt":"2025-12-06T17:01:52","slug":"the-bedmakers","status":"publish","type":"page","link":"http:\/\/tech-ops.co.uk\/next\/the-bedmakers\/","title":{"rendered":"The Bedmakers"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\"><\/h2>\n\n\n\n<h3 class=\"wp-block-heading\"><a id=\"post-20219-Alec_Bray\"><\/a>Alec Bray<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\n  How we all made Studio-based theatrical style multi-camera live or a &#8220;as-live&#8221; drama productions in the early 1960s.\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n  An old &#8220;Monitor&#8221; programme surfaced recently on the BBC Archive YouTube channel, and has been captured for you all before it disappears. (Like most BBC programmes of the time, not much of &#8220;Monitor&#8221; survives&#8221; or survives as snippets).\n<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n  &#8220;The Bedmakers&#8221; &#8211; Studio 3 TC, Marconi Mk IVs, including a tower, a Heron and a Creeper.\n<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"1280\" height=\"720\" src=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-1.jpeg\" alt=\"\" class=\"wp-image-20220\" srcset=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-1.jpeg 1280w, http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-1-300x169.jpeg 300w, http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-1-1024x576.jpeg 1024w, http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-1-768x432.jpeg 768w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-youtube wp-block-embed-youtube\"><div class=\"wp-block-embed__wrapper\">\n<blockquote class=\"embedly-card\" data-card-controls=\"1\" data-card-align=\"center\" data-card-theme=\"light\"><h4><a href=\"https:\/\/www.youtube.com\/watch?v=YQOeyh5vcPw\">1964: How to Make a Television Drama | Monitor | Making of&#8230; | BBC Archive<\/a><\/h4><p>BBC arts programme Monitor documents the various processes that go into creating a single television drama. In this instance, the drama is a play called &#8220;The Bedmakers&#8221; written by David Turner &#8211; which will be broadcast as part of the BBC&#8217;s First Night series of contemporary television dramas.<\/p><\/blockquote><script async src=\"\/\/cdn.embedly.com\/widgets\/platform.js\" charset=\"UTF-8\"><\/script>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\n  I think I recognise one Tech Ops person shown: Chris Pocock. Here is his Wood Norton photo and how he was in the &#8220;Monitor&#8221; programme:.\n<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"236\" height=\"251\" src=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-2.png\" alt=\"\" class=\"wp-image-20221\"\/><\/figure>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" width=\"237\" height=\"288\" src=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2025\/12\/word-image-20219-3.jpeg\" alt=\"\" class=\"wp-image-20222\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\n  T.O 16 course photo\tGram Op on &#8220;The Bedmakers&#8221;\n<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a id=\"post-20219-Martin_Dilly\"><\/a>Martin Dilly<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\n  Cameraman at 12:46 probably Derek &#8216;Yossel&#8217; Wright. Vision mixer Fred Law?\n<\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><a id=\"post-20219-Mike_Minchin\"><\/a>Mike Minchin<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">\n  Margot Hayhoe found this on ?YouTube, and commented there that I had worked on &#8220;The Bedmakers&#8221;. I operated a Ped up on the 6 foot tower (roughly a third or a half of TC3) &#8211; very smooth cladding, but not very flat. The ped tended to run away from you! We knew that &#8220;Monitor&#8221; was filming us. Then, during one supper break, we were sitting around in the Gallery and the film crew came in and wanted to get some cutaways of the mixing desk in operation. I was closest and obliged by running my fingers along the buttons, and then did a cross fade between the banks. To my embarrassment, the editor used that cross fade to show the fade up of the start of the programme. I said &#8220;oh no!&#8221; when the Monitor film was first shown, and again this year &#8211; but I knew it was coming, this time!\n<\/p>\n\n\n\n<br><br>\n<h1>&nbsp;<\/h1>\n\n<br><br>\n<p class=\"western\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1061\" src=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall-300x104.jpg\" alt=\"ianfootersmall\" width=\"300\" height=\"104\" srcset=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall-300x104.jpg 300w, http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall.jpg 348w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n\n<br><br>\n<!-- END Footer -->\n","protected":false},"excerpt":{"rendered":"<p>Alec Bray How we all made Studio-based theatrical style multi-camera live or a &#8220;as-live&#8221; drama productions in the early 1960s. An old &#8220;Monitor&#8221; programme surfaced recently on the BBC Archive YouTube channel, and has been captured for you all before &hellip; <a href=\"http:\/\/tech-ops.co.uk\/next\/the-bedmakers\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":17,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-20219","page","type-page","status-publish","hentry"],"coauthors":[],"author_meta":{"author_link":"http:\/\/tech-ops.co.uk\/next\/author\/paul-thackray\/","display_name":"Paul Thackray"},"relative_dates":{"created":"Posted 6 months ago","modified":"Updated 6 months ago"},"absolute_dates":{"created":"Posted on December 6, 2025","modified":"Updated on December 6, 2025"},"absolute_dates_time":{"created":"Posted on December 6, 2025 5:01 pm","modified":"Updated on December 6, 2025 5:01 pm"},"featured_img_caption":"","featured_img":false,"series_order":"","_links":{"self":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/20219","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/comments?post=20219"}],"version-history":[{"count":1,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/20219\/revisions"}],"predecessor-version":[{"id":20223,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/20219\/revisions\/20223"}],"wp:attachment":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/media?parent=20219"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/categories?post=20219"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/tags?post=20219"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}