{"id":11668,"date":"2021-03-07T14:53:41","date_gmt":"2021-03-07T14:53:41","guid":{"rendered":"http:\/\/tech-ops.co.uk\/next\/?page_id=11668"},"modified":"2021-03-07T14:53:41","modified_gmt":"2021-03-07T14:53:41","slug":"tape-speeds","status":"publish","type":"page","link":"http:\/\/tech-ops.co.uk\/next\/tape-speeds\/","title":{"rendered":"Tape Speeds"},"content":{"rendered":"\n<h3><strong>&nbsp;<\/strong><\/h3>\n\n\n\n<br><h3><strong>John Howell (Hibou)<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">At one time there was a capstan sleeve available for a TR90 in the TV Theatre enabling it to run at about 30ips. It managed to record pulse &amp; bar, albeit not locked.<\/p>\n\n\n\n<br><h3><strong>Mike Jordan<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">&nbsp;A bit like someone tried to record 405 vision from AP on a BTR2 (? the big green thing) and it just about worked.<\/p>\n\n\n\n<br><h3 class=\"wp-block-heading\"><strong>Pat Heigham<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">I have a faint memory of the BTR2 being capable of 30 ips. There were two in the Riverside music studio before the Studers were installed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Also remember going to the Radio\/Hi-Fi show at the Russell Hotel, where I was enthralled at the quality of an Ampex \u00bc\u201d deck running at 30 ips with huge Tannoy Autograph speakers delivering wonderful sounds.<\/p>\n\n\n\n<br><h3><strong>Dave Plowman<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Pretty certain 30 ips was fairly standard in the music recording industry in the early days.<\/p>\n\n\n\n<br><h3 class=\"wp-block-heading\"><strong>Pat Heigham<\/strong><\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Having been appointed a Gram Op at a time when there was a severe shortage of edit facilities, necessitating trips to BH or even Bush, I bought a Revox 736 (G36) which could handle 10 \u00bd\u201d NAB spools. But the off the shelf model ran at 7 \u00bd or 3 \u00be ips. Upon asking, the factory supplied me a version to operate at 15 or 7 \u00bd, except that the printed escutcheon plate still said the old speeds!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">So I took tapes home to edit there \u2013 maybe a bit naughty, but we were trusted to cart master tapes in our cars from various venues around London, and so the job got done.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">If I could book a Television Centre sound gallery for an edit, I was often still there at midnight, when the duty fireman made his rounds. The fact that I was there on my own was most likely against safety regs \u2013 I think that there was supposed to be at least two &nbsp;staff in technical areas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Being a Grams Op on TOTP or \u201cJuke Box Jury\u201d meant that we always had the very latest music for party tapes!<\/p>\n\n\n\n<h3>&nbsp;<\/h3>\n  <!-- Footer -->\n  <h3>&nbsp;<\/h3>\n  <h1>&nbsp;<\/h1>\n  <p class=\"western\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-1061\" src=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall-300x104.jpg\" alt=\"ianfootersmall\" srcset=\"http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall-300x104.jpg 300w, http:\/\/tech-ops.co.uk\/next\/wp-content\/uploads\/2012\/07\/ianfootersmall.jpg 348w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" width=\"300\" height=\"104\"><\/p>\n  <!-- END Footer -->\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; John Howell (Hibou) At one time there was a capstan sleeve available for a TR90 in the TV Theatre enabling it to run at about 30ips. It managed to record pulse &amp; bar, albeit not locked. Mike Jordan &nbsp;A &hellip; <a href=\"http:\/\/tech-ops.co.uk\/next\/tape-speeds\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":6,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","advgb_blocks_editor_width":"","advgb_blocks_columns_visual_guide":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":""},"categories":[],"tags":[],"class_list":["post-11668","page","type-page","status-publish","hentry"],"coauthors":[],"author_meta":{"author_link":"http:\/\/tech-ops.co.uk\/next\/author\/alec\/","display_name":"Alec Bray"},"relative_dates":{"created":"Posted 5 years ago","modified":"Updated 5 years ago"},"absolute_dates":{"created":"Posted on March 7, 2021","modified":"Updated on March 7, 2021"},"absolute_dates_time":{"created":"Posted on March 7, 2021 2:53 pm","modified":"Updated on March 7, 2021 2:53 pm"},"featured_img_caption":"","featured_img":false,"series_order":"","_links":{"self":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/11668","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/comments?post=11668"}],"version-history":[{"count":4,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/11668\/revisions"}],"predecessor-version":[{"id":11829,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/pages\/11668\/revisions\/11829"}],"wp:attachment":[{"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/media?parent=11668"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/categories?post=11668"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/tech-ops.co.uk\/next\/wp-json\/wp\/v2\/tags?post=11668"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}